how to write a good narrative essay「寫作解疑」
How to write a narrative essay？If you don’t know how to write a narrative essay, you can always ask a professional for help. We would advise seeking inspiration everywhere you go, following the guidelines and sticking to the instructions that have been attached to the paper. A narrative essay can turn out to be more complex than the rules that you need to go by to create one. If you are looking for originality in your text, craft the paper that is going to stand out due to the uniqueness of your storytelling technique and the overall authenticity of your style.This article provides you with relevant writing narrative essay tips, steps and examples for your reference.
一．how long is a narrative essay
We cannot stress enough the importance of clarity and succinct writing in college. Most people believe that complicated messages will make the text more appealing to the teacher in charge. However, we are here to tell you that ambiguous phrases can cause confusion as you start reading the essay and analyzing the text. If you wish to receive positive feedback, be ready to avoid lengthy constructions and phrases that seem too controversial to be included.
我們再怎么強調清楚和簡潔的寫作在大學的重要性也不為過。大多數(shù)人認為，復雜的信息會使文本更吸引負責的老師。然而，我們在這里要告訴你的是，當你開始閱讀和分析文章時，模棱兩可的短語會引起混亂。如果你希望得到積極的反饋，要準備好避免冗長的結構和短語，看起來太有爭議而不能包括在內。
Highlighting the essay will help you indicate the parts that hold a certain meaning. Before you dive into the research part and start gathering information, it is good to keep in mind the length of the essay. There are two essential rules that will help you accomplish the goal of the narrative. It should not contain more pages than your teacher has assigned you, and be short enough for the readers to perceive the meaning. Apart from engaging the audience, you have to create a story that will allow the narrative to flow without restrictions. The story should be relevant enough to be noticed and brief enough to make an impression
二．how to write a good narrative essay
Here are some of the strategies that can be used for writing a good narrative essay. If you are wondering how to start a personal narrative, this might also be of some help:
1. Think about the theme of the story.
At this point, you need to be able to introduce facts into the narrative. Juggling truth and fiction can be difficult, but it does prove to be rewarding once you are finished with the task.
Begin with creating the first draft. Even renowned writers do not skip this step willingly. They know that creating a draft helps them to be clear about their intentions and set the mood for the story. In addition, most authors realize that dealing with the draft of the text might take them to the next level of writing.
從創(chuàng)建第一份草稿開始。即使是著名作家也不愿意跳過這一步。他們知道寫草稿可以幫助他們清楚自己的意圖，并為故事設定基調。此外，大多數(shù)作者意識到，處理文本草稿可能會把他們帶到寫作的下一個水平。
2.Create a storyline that actually matters.
Think about the stories you have encountered while reading. These have main characters, setting, structure, plot, and additional elements that make it stand out from the rest of the text. Be sure to include these elements in your storyline. It will draw the attention of a potential reader and show them what to expect from the story.
3.Present a clear point of view.
Clarity is the key to being understood. If the audience cannot decode your message in the first place, think about the meaning of holds for you as a writer. Try to avoid vague sentences and constructions that seem to divert the attention of the reader from the most essential subject. Instead, opt for introducing the main point of a narrative essay at the beginning of the text. This will serve as a great introduction and help you focus.
清晰是被理解的關鍵。如果聽眾一開始就不能理解你要傳達的信息，那么作為一名作家，你應該想想它對你來說意味著什么。盡量避免含糊不清的句子和結構，這樣會把讀者的注意力從最重要的主題上轉移開。相反，選擇在文章的開頭介紹敘事性文章的主要觀點。這將是一個很好的介紹，幫助你集中注意力。
三.narrative essay thesis example
Prompt:The title of this essay is:Dracula’s Epistolary Reflections And Accounts: How Does This Narrative Approach Heightens The Effectiveness Of The Novel?In this study of Bram Stoker’s literary piece Dracula (1897), I will question the use of the diverse types of narratives chosen by the author and what the different points of view provide to the readership of the novel. Moreover, I will argue to what extent this epistolary narrative heightens the dramatic and thriller-like effectiveness of the novel with a close reading of the text and the support of secondary sources.
To start off, there are two different narrative patterns that must be made distinct before getting ourselves into the main question of this essay. As Seed states in his journal article “The Narrative Method of Dracula”, this novel can be fragmented into 4 different sections that correspond with “the narrative preamble, the working out of Dracula’s intentions, their discovery, and the final pursuit” (1985: 63, 64). However, there is a different way of organizing the narrative of the text and it regards the apparition of Count Dracula whether it is directly -through Jonathan Harker’s journals- or indirectly with the several instances of Dracula’s deeds in England whose ownership the reader can suspect from what they have learnt previously thanks to Harker’s scope.
首先，在我們進入這篇文章的主要問題之前，有兩種不同的敘事模式必須加以區(qū)分。正如Seed在他的期刊文章《The Narrative Method of Dracula》中所說的那樣，這部小說可以分成四個不同的部分，分別對應于“敘述序言、對德古拉意圖的解讀、他們的發(fā)現(xiàn)和最終的追求”(1985:63,64)。然而,有不同的組織方式的敘事文本和它的幽靈伯爵是否直接或間接地通過喬納森·哈克的期刊——吸血鬼的行為在英格蘭的幾個實例,其所有權,讀者可以從所學懷疑先前多虧了哈克的范圍。
Stoker’s principle of narration is that only Dracula’s opponents are granted narrative voices and they can only record what in each case they have plausibly experienced (68). This is due to what Dracula represents in the novel; as Christine Ferguson states: Dracula is described […] as anarchic disruption to some historically specific conventions of bourgeois culture, to an order obsessed with the maintenance of order and purity. Anxiety – about the dangers of social and sexual changes, about the replacement of socials stability with chaos and mayhem -remains the dominant idiom of Dracula (2004: 230).
Hence, the male narrators all carry out a job characteristic of the new bourgeoise (professor, doctor, lawyer, etc.) and, in the plot, they are the “heroes” that defeat Count Dracula and symbolically save the English society.
Having said that, the first introduction to anything related to Vampirism comes from Harker’s diary, it details his travelling experience to the utmost detail to keep track and find rational solutions to everything that seems odd and supernatural: “I began to fear as I wrote in this book that I was getting too diffuse; but now I am glad that I went into detail from the first, for there is something so strange about this place and all in it that I cannot but feel uneasy” (Stoker 2013: 28). From him, the reader is able to physically recognize Count Dracula and his modus operandis. This first description serves as a long-distance “memory” (1985: 65) from what the reader is to find in the bits and pieces of information that we encounter in the second part of the narrative.
The second type of narrative is that of letters, phonograph records and telegrams among the different characters. From being used to Jonathan Harker’s lineal diary, in the second part the reader jumps from one perspective to another. The main purpose of this Section Two and Three of the book is the assimilation of everything that is irrational, both for the reader and the characters. “[This] is confirmed by the plausibility of the text, by our predisposition toward evidence, proof, and verification. All the non-Transylvanian characters keep records […] of the action primarily serve to supply information” (1985: 74). Although we cannot see the Dracula act directly, we know from him by several instances that are rationally put together by the voice of the professor, doctor, philosopher Van Helsing. The downfall of Dracula begins when the characters work together and share their knowledge and experience (Cribb 1999: 137). As Van Helsing tells Arthur:
I know it was hard for you to quite trust me then, for to trust such violence needs to understand; and I take it that you understand. And there may be more times when I shall want you to trust when you cannot -and may not- and must not yet understand. But the time will come when you shall understand as though the sunlight himself shone through (2013: 197).
我知道那時你很難完全信任我，因為信任這種暴力需要理解;我認為你能理解也許還有更多的時候，我需要你相信我，而你卻不能——也許不能——一定還不能理解。但總有一天你會明白，就像陽光自己透過陽光一樣(2013:197)。
In the same way that Van Helsing asks Arthur to believe him, Stoker is persuading the reader to do the same. From the outside, the reader has already assembled all this knowledge and has been able to build a bond of intimacy with the characters. One of the aspects that make this narrative so effective is the fact that the reader is peeping into the characters’ private affairs by reading their journals, letters, telegrams or any other mean of communication. While reading Harker’s diary the role of the reader is almost voyeuristic (1999: 134) as it was only meant for his fiancé to read. The second narrative is composed by more perspectives which gives way to the reader to fill in the temporal gaps (136) Epistolary novels are narrative tools that work with the first-person basis, as the protagonist is the only narrator, the reader may have the feeling that they are not being told the whole truth, just the perspective from the main point of view may fall short. This creates a sense of unreliability that is hard for the reader to overcome.
However, Stoker saves this gap by adding other perspectives to the plot, he also uses newspaper retails and witnesses that give plausibility to the novel, so not only the reader is akin to Jonathan’s experiences, but to other sources as well. Stoker’s narrative is a mirror to the English rationality and so it is reflected in the discourse in different ways: the generic disbelief that something natural might be happening -as Mina asserts that if she had not read Jonathan’s diary, she would not have believed her own experience either-, the medical argot used among Dr. Seward and Van Helsing correspondence and blatantly ignoring the customs -and warnings- of the Transylvanian people on Harker’s account serve as examples of how the Western civilization was constructed in the Victorian literature and also its contemporary society as well. The fact that the reader can recognize themselves in the European mentality described makes the narrative more likely. Therefore, the reader participates actively into it and that helps to heighten the dramatic effectiveness of the novel.
In conclusion, stylistically, the fact that it is arranged by the different memoirs of the characters, makes the reader more alert and it helps building an environment of suspense. As well as this, Bram Stoker’s narrative is engaging because it portrays the Western European pride, more specifically, the British one – that of imperialism, punctuality, technologic developments, everything that the Victorian society was proud of. As it is put at jeopardy -Dracula presents the “reverse colonization” of Eastern Europe-, the readers fear for themselves as this novel is narrated in a way plausible enough to believe. At last, Stoker’s Dracula is not the first epistolary novel nor the first novel about vampires, but it was innovative enough to become one of the most renowned literary compositions of nowadays.
A narrative essay may be the area of creative writing that you have just started to explore, but it doesn’t mean you have to be careless about it. Pick the topic with precision and make sure your readers know what you are talking about. It is important to understand the tendencies in modern writing and be ready to share your life story with the audience. We understand how the concept of a narrative essay can be intimidating to some in that department. It is time that we shift our priorities to a place that holds more clarity. With some of the creative methods on your side as a writer, you will learn how to structure the text to your advantage. Read on to find out more about our tricks for beginner writers and how to implement them on a daily basis.
敘事性文章可能是你剛剛開始探索的創(chuàng)造性寫作領域，但這并不意味著你必須對此粗心大意。準確選擇話題，確保你的讀者知道你在說什么。重要的是要了解現(xiàn)代寫作的趨勢，并準備好與觀眾分享你的生活故事。我們理解記敘文的概念對這一部門的一些人來說是多么的可怕。是時候把我們的重點轉移到一個更清晰的地方了。作為一名作家，有了一些創(chuàng)造性的方法，你將學會如何組織對你有利的文本。繼續(xù)閱讀，了解更多關于我們?yōu)槌鯇W者編寫的技巧，以及如何在日?；A上實現(xiàn)它們。
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